[Bonus] Best Of 2009

Now that I'm obsessed with these Timeline posts, I want to make another where I see which groups have made the most appearances in my Best Of 20XX series. But in order to do that, I'll have to go back at least one more year. That way, the compilation will cover 2009 through 2017 (this year's edition will be coming out in early December). Plus, writing this post will refresh me and act as a primer for the Best Of 2017. I've taken the liberty of tagging the Best Of 20XX with an additional "20XX" tag if only for easy organization when looking at all my Best Of posts (since they're not simply restricted to these year-end runs).

#12. After School - Because Of You
This song is great at describing 2009 Kpop. The beat, the dance pop, the haircuts (...) and the MV quality all scream 2009. It might not be the best song from that year but "Because Of You" is one of the most iconic, without a doubt. After School is a group that you can really see the evolution of, mostly thanks to the graduation system (that was somewhat legit then). Bekah Raina, and Kahi were the driving forces of After School in this era and the microscopic amount of lines from Jungah, Jooyeon, and Nana highlight that.

#11. Davichi - 8282
Davichi has been killing it for years. I can't imagine that they have been even more underrated back in the day than they are now. "8282" The switcheroo that occurs going into the first chorus is a hilarious wake-up call because you're sitting there thinking this is another traditional Davichi power ballad but instead you could dance during the first chorus. They even include a pseudo-dance break that cuts immediately back to a slower second verse. It's a classic Davichi track through and through.

[Bonus] Best Of 2016 (#16-#9)

It's that time of the year again. I'll be breaking down my personal list of the best songs of 2016. Because I've run this theme before, there will be 16 songs if only to match the year. I don't have much time to waste - Best Of 2016 and the annual Kpop Awards need to be complete before the end of the year because January is already booked with comebacks. This year my list will be split between the top and bottom halves. Remember, this is my set, not yours! But definitely share which songs you think I missed out on.

#16. Brave Girls - Deepened
This song is the best slow dance track of 2016. Everything about it is sensual, which is reflected in both the singing and dancing. The vocals are soft and almost graceful, which is matched by the choreography. Hyeran's rap break was the best sequence of its kind this year, though unfortunately for her made her later appearances disappointing. Nonetheless this was a very complete song that helped bring Brave Girls back into relevancy. It almost made you forget that they had been inactive for three years before coming back.

#15. DAY6 - Letting Go
Nostalgia speaks to me strongly, and a group like Day6 is exactly what I'd have been obsessed about in my high school years. Rock is an old sweetheart of mine and these guys put their Kpop spin to it quite nicely. "Letting Go" is aptly named as the band had lost a member prior to release, and you can almost hear the emotional rift in their voices. I've yet to be sold on Younghyun's rapping, but perhaps that needs some time. After all, I've come to really enjoy rappers like Verbal Jint and Mad Clown and their unorthodox flow. Maybe Younghyun is next.

[Bonus] Best Of 2010-2015

Now that we've looked at some of the best songs of each year for the past 6 years, it's time to look at the bigger picture: who will come out on top overall? To find out the best song(s) from 2010-2016, only the top 3 of each year will be candidates. After all, it would be unfair (and also too much work, admittedly) to look at the top 5, or each full list. Anyway, if you want a refresher, here are the candidates.

2010: Taeyang - I Need A Girl, Rainbow - A, IU - Good Day
2011: Big Bang - Love Song, Davichi - Don't Say Goodbye, 2NE1 - Ugly
2012: Girls' Generation-TTS - Twinkle, Big Bang - Blue, Ailee - Heaven
2013: Girl's Day - Expectation, SPICA - Tonight, 9MUSES - Wild
2014: AOA - Miniskirt, Girl's Day - Something, Soyu & Junggigo - Some
2015: INFINITE - Bad, FIESTAR - You're Pitiful, EXO - Call Me Baby

I'll only list the top 10 for simplicity sake, and because I've talked about many of these songs a number of times already, the conversation will revolve around why one song is better (or worse) than another. It's another simple piece of writing as I prepare for another week of midterms and the new Twice review.

[Bonus] Best Of 2011

We now embark on a trip down memory lane, for the years of 2010 and 2011 still house some wonderful songs to talk about. Continuing tradition, I'll list my top 12 picks of the songs of the year. This was by far one of the easiest to compile, and subsequently also one of the easiest to rank. There's a distinct hierarchy between the top and bottom half, and regardless of their position all these songs are definitely nostalgic delights.

#12. TVXQ - Before U Go
If you want to look at one of the most important comebacks in Kpop history, the revival of 2VXQ after the JYJ lawsuit is definitely a nomination few would argue against. While "Keep Your Head Down" was the official comeback song, the repackaged album featuring "Before U Go" turned out to be one of three ballads on this list. The X factor was the surprisingly formidable Yunho vocals, which matched pace with Changmin in both power and skill.

#11. Secret - Love Is Move
This song was quietly a top-notch dance number that I felt many people slept on. It had many qualities that combined together for a great performance piece. Relatively catchy hook, frantic (but still clean) choreography moves, and a smooth vocal attack by Jieun. Sure, the Zinger rap is forgettable (hey she didn't change her name yet) but then again so are half of her raps. Like Yunho establishing himself in "Before U Go," Hyosung started to gain traction as a secondary vocalist behind Jieun in this song.

[Bonus] Best Of 2013 Revisited

As a heads up, I'm gonna be pretty busy over the next few weeks. Apparently my next online course is no joke with the amount of reading materials, and I'll be traveling to Korea for a week (which is gonna be awesome!). I have a plethora of writing I want (and started) to do - as evidenced by the "Coming Soon" section, but no idea if they'll come to completion or not. Anyway, here's a look back at my picks in 2013 and how the list would look like now in hindsight.

#12. Davichi - Turtle (NEW)
Original: Davichi - Be Warmed
Davichi's original two tracks have been dropped and replaced by the lovely "Turtle." I consider "Turtle" the medium between "Be Warmed" and "Because I'm Missing You Today." It possesses the lighthearted feel of the latter while still maintaining an intensity in the powerful vocals of the former. Sure there's no Verbal Jint appearance but he's already a bonus to begin with. The vocal work between Minkyung and Haeri is divine in "Turtle," and has over the years risen to be my 2nd favorite Davichi track (behind "Don't Say Goodbye," naturally).

#11. Gaeko - Rhythm Is Life (NEW)
Original: JeA - Days & Nights
In the first list, Dynamic Duo was the sole male representation. This time around, only Gaeko returns (though there is another male artist later). Like I mentioned in Best Of 2012 Revisited, Korean hip-hop didn't fly onto the radar until 2013, and this was one of the pioneering tracks. Gaeko's "Rhythm Is Life" is a straight masterpiece in terms of the execution of lyrics. His delivery is pretty close to flawless and the replay value is through the roof. Gaeko and Dynamic Duo helped pave the way for other hip-hop artists to join my library.

[Bonus] Best Of 2013 (#12-#9)

I would characterize the 2013 year as a year ripe with drama. Dating exposure was crazy, and relationships were discovered everywhere. This year also saw and might mark the “end” of some veteran staple groups potentially losing members like KARA, inactivity from TVXQ, and future army enlistment in Big Bang. However, there was some damn good music this year from January to December, so we’ll be covering my top 12 best of this year.
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12. Davichi - Be Warmed (feat. Verbal Jint)

Davichi has been steadily progressing throughout the years, and “Be Warmed” is something moving that I haven’t seen since the likes of “Don’t Say Goodbye”. The instrumental at the opening is pretty, leading into the strong vocals. The chorus has had me hooked since the release, and it’s rare a ballad has the quality of making me sing along every time. Verbal Jint is a solid rapper and his appearance is more than welcome, but his lines seemed lackluster compared to the power vocals from Minkyung and Haeri. Nonetheless, Davichi’s powerful and emotional vocals push past the mediocrity from Verbal Jint into 12th place.

11. JeA - Days & Nights (feat. Eric Benet)

Funnily enough, the other song that was competing with JeA for this placing was M&N’s “Tonight”. Nonetheless, some variant of Brown Eyed Girls earns a spot on the list. The emotional and soulful sound from JeA and Eric Benet work wonders throughout the song, and the pronunciation was excellent all around from JeA’s English to Eric’s Korean. Both of the exchanges were really surprising and impressive. The chorus gets caught in a loop for a while, with a good bridge in crescendo, and the harmonization work between the two can be equally addicting.

10. Younha - The Reason We Broke Up

Younha at first glance, took a fall from her spot last year at #2 with her placing here at #10 with “The Reason We Broke Up” but don’t worry. “The Reason We Broke Up” is much softer and less complex, but the beauty lies in the simplicity and beauty of Younha’s vocals. There’s plenty of variance and a delightful mixture of emotions, consistency, and power. It’s friendly, moving, and met with a artistically crafted music video.

9. Davichi - Because I’m Missing You Today

Oh hi Davichi, I didn’t expect to see you so soon. But here we are. “Because I’m Missing You Today” is full of bright and lively emotion as long as the song’s title (in both English and Korean). Compared to the darker more intense sounds of “Be Warmed”, “Because I’m Missing You Today” keeps the same tempo and paces very strongly (since there is no awkward rap break) and is matched by Minkyung and Haeri’s serious tones that carry a tint of cheer in them. My only complaint is that the belts during the second chorus and on are so quiet and restricted, and I do love me some Davichi belts.

[Bonus] Best Of Vocalists: Specialists

Some may not have the widest range, some may not have the most powerful voice, but one thing is for sure. They’re incredibly talented at a specific aspect of music. Most of these people are members of very specialized groups, most notably main ballad singers (because I just fall for those easily), which only furthers their ability.

Minkyung is a member of Davichi, one of the best groups in terms of vocals. Their R&B ballads are amazing, and Minkyung’s solo appearances across shows are something to speak of. “Don’t Say Goodbye” is the main standout track that comes to mind, where she and Haeri pull off some consistent strings of graceful high notes. Minkyung kind of struggles in lower ranges, and sounds uncomfortable, but she makes up for it by having some rapping potential (“We Were In Love”).

If Taeyeon’s voice is “bright” and Park Bom’s voice is “vibrant”, then Juniel’s is certainly “sweet”. It’s a very soft and pretty voice, the epitome of sweetness and for that reason her ballad works (“Bad Guy”, “Illa Illa”). An apt comparison is to IU, but Juniel has a lighter voice and higher register. Like I mentioned for Juniel’s excerpt in the Best Of 2012 set, she has a magnificent ballad voice but not so much for other genres, so that makes her a specialist.

While it seems to have faded away with recent releases, Gayoon possesses an incredibly powerful voice. It’s not as husky as someone like Ailee or Hyorin, but it’s extremely sharp sounding, in nice relation to her image. Whether it’s a surprise high note belt (“I My Me Mine”) or a predictable climb (“Mirror Mirror”), Gayoon is still able to send shivers with her powerful notes.

As a queen of KPop, BoA is certainly perfect for pop music. Her voice is lively and rich, making even doubtful and mediocre pop songs like “Hurricane Venus” and “The Shadow” sound good and of course excel catchy music like “Copy & Paste”, amongst other old songs. Utility wise, BoA has a smooth voice for ballads but even then, her ad libs clearly give off a pop vibe, like the wondrous work in “Dear My Family”. How this woman meshes her voice with choreography live is beyond me; she’s incredible.

Ahh, there you are, Yesung! Even apart from splendid work in non-ballad songs like “Sorry Sorry” and other Super Junior works, your voice is perfect for ballads. Between performances on Immortal Song 2 and stuff like “It Has To Be You”, there is nothing like listening to a ballad of yours to give my daily dose of emotion. And of course, one cannot forget how unbelievable the last 45 seconds of Super Junior’s “It’s You” are.

Ryeowook joins Yesung to make three Super Junior members so far. Ryeowook’s voice is quite unique in sound, and his range is extremely expansive. I’ve heard some Michael Jackson comparisons in regards to his singing but I think it’s more distinct, a little more energetic (“Moves Like Jagger”). Being a member of the KRY subunit gives him plenty of work to show off his ballad prowess, and collaborative work like “Falling In Love With A Friend” has also done him good justice.

Lee Hyun is known for being a member of 8eight and project group Homme with 2AM’s Changmin. Among those, solo work has also highlighted his ability / smooth voice. Like Hongki, it’s a delightful mixture of clearness and husky sound which creates a unique vocal timbre. “Still Eating Well” and “You Are The Best Of My Life” are some of Lee Hyun’s most outstanding songs.

The only non-ballad master for the guys’ list, Changmin makes an appearance because his specialty isn’t tied to a specific genre, it’s his impressive ability to hit those high power notes he does all the time. Whether it’s “Mirotic” or “Catch Me”, Changmin is belting his head off and he sounds so good at it. Like Gayoon, his power notes are capable of impressing no matter where and what he sings.