December 17, 2012

[Bonus] Best Of 2012 (#12-#9)


2012 was yet another busy year for the Korean music industry. It saw the emergence of even more groups, the explosiveness of Psy, the T-Ara crisis, IU / Eunhyuk shenanigans, among others. Of course the year also brought some crazy good releases. As it is 2012, I selected 12 of my favourites, the best of the best, previewing four a piece for the next three weeks.
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12. B.A.P - Warrior
Like previously mentioned in the specific review, “Warrior” was a breakout release for a debut because the song was so out of the ordinary. The aggression, confidence, and power in the song were unrivaled (or for some not even attempted) by other male group debuts that give them a place on the best. What It lacks in vocal talent is more than recovered by flashy choreography and very impressive rapping segments. With only a debut song, B.A.P makes it to the top 12.
11. EXO-K - Angel
Similarly to “Warrior”, EXO-K’s “Angel” places on the list from a debut group. While “MAMA” was aesthetically unique and all, I was drawn to “Angel” by the impressive vocal presentation between D.O, Baekhyun, and Suho. Baekhyun’s voice was perfectly at home here, and while I enjoyed “What Is Love” just as much, “Angel” gets the nod for including Suho, whose smooth vocals are a welcome addition.  Note that I didn’t list this as “EXO - Angel” even though EXO-M’s version is the exact same song. Quite frankly, EXO-M has a lack of good singers. Chen is the standout, but Luhan, Lay, and Xiumin are all “good”, at best. Sometimes I think Chen was included in EXO-M so EXO-K wouldn’t hog all the best vocalists of the members.
10. Sistar - Alone
“Alone” was probably the earliest catalyst of 2012’s “sexy but classy” theme so many girl groups used. Along with that, it also helped propel Sistar’s popularity skyward and handed them a nice cushion for the summer release of “Loving U”. Ignoring the atrocious music video lacking any substance, Dasom and Soyou really stepped up providing soft transition vocals and Hyorin is nothing short of stellar, of course. Bora’s rap provides good transition and the execution is quite solid. Fantastic work.
9. Big Bang - Fantastic Baby
Speaking of fantastic, what is the best 12 songs of 2012 without one of Big Bang’s signature bombastic releases. “Fantastic Baby” was all sorts of bizarre awesome from the funky verse structure, “BOOM SHAKALAKA”, everybody’s crazy hair in the music video, and just the music video in general. If you were at all surprised by anything in the Big Bang video, it probably means you don’t know this group all too well as of the past couple of years. This song is pretty much everything we have come to expect and enjoy from Big Bang, and so it ranks 9th.

December 13, 2012

[Review] Son Dambi - Dripping Tears


Vocals: 8 / 10
Son Dambi has always had an underrated voice in my opinion. It’s not standout power vocalist but it’s perfect for songs like this and past hit “Crazy”. A very smooth and soothing voice, which is great for fast to medium tempo ballads. The only high notes are ones comfortably within her range and I really like the articulation on the main chorus “Tears are falling, rain is falling, love is falling”. Either her vocals could’ve been ramped up or the electric parts of the instrumental toned down since it seemed to overtake her voice at points. The piano background was excellent though.
Appearance: 7 / 10
I’ll be honest here, Son Dambi has never really impressed me with her looks. She looks really nice at some angles and at others her eyes really bug me. The best description is a sort of cross between Narsha, Jiyeon, and UEE. But please get rid of the blonde wig. I can’t recall if Son Dambi has gone blonde in the past but this specific style looks awful. Part of it is being too short for her, part of it being how it frames her face, but yeah a pretty huge nono. However, it does showcase a uniqueness along with the funky orange eyeliner. The appearance along with the setting really reminded me of Miryo’s “Dirty” but I’ll touch upon that later.
Dance: 8 / 10
For a video that was mainly enveloped in plot(?) the choreography was mainly at the beginning to middle of the song. Continuing on with the “classy but sexy” theme, Son Dambi shows off her curves and all that. I couldn’t take her seriously in the sequences with the blonde wig though, so I kinda laughed when those came up. Like I said, it’s not subtle in any way but definitely less “severe” compared to the choreography of “Crazy”. All in all I paid more attention to the other content of the MV than the dance.
Music Video: 9 / 10
This music video first struck out like a hybrid of SHINee’s “Juliette” and Miryo’s “Dirty”. More specifically, the hospital scenes where she’s laid out in the stretcher with a confused look on her face, wearing a funky hairstyle and eye makeup. Yeah that screams “Dirty” all over it. The drowning was different, though, and the backup dancers for that part had full on body suits. A little strange, but I can appreciate it. The ending is also completely random. How the heck did Son Dambi go from that hospital room out into the ocean? Beats me. Maybe there was a magical unicorn I missed in transition.
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Overall: 82 / 100
Son Dambi’s vocals do a lot for this song, making it very pleasant on the ears. Everything else is just kinda there. The dancing is okay, the looks are okay, and the music video is okay. Bonus points for breaking the hell out of that chandelier though. Woman got muscle.

December 10, 2012

[Review] Secret - Talk That


Vocals: 9 / 10
This time around, Ji Eun doesn’t get anything extraordinary to make this score perfect, but everything about the vocals falls in line for every member. Hyosung and Sunhwa show a little more than mere transitional voices and Zinger even makes her debut(?) with a healthy amount of lines for the second verse. While she doesn’t have the greatest voice, it’s still pleasant to listen to and compliments everyone else. The setup and structure is not anything extremely impressive, but that’s precisely why their score is near perfect. The execution and emotion is perfect for the mood and tempo of the song.
Appearance: 10 / 10
I expected colour and style changes since it has been two months since “Poison”, but the only one who did was Ji Eun, and thankfully so. She looks so much better and the colour is not bad for her. Seems like the major vocalists of girl groups have tried the crimson red at some point: Park Bom, Tiffany, Ji Eun, Seungyeon. Nobody really changed aside from the hair colour for Zinger, so this remains perfect. Was hoping for a return of Sunhwa’s glorious eye smiles but it’s a ballad. Oh well.
Dance: 7 / 10
Honestly after watching the music video, the dance barely crosses my mind. Perhaps because there was just so little emphasis on it, or that TS Entertainment had the shadow backup dancers be the focal point of the choreography, but either way the dance is something light piggybacked along by the vocals. Hyosung gets a short solo and everyone drools over her, but other than that standard stuff.
Music Video: 8 / 10
Couple a simplistic set of vocals with simplistic visuals and music video and you’re bound to have a good score. Since the dance was so light, it was practically taken out of the equation, leaving solos and group shots where the scenery is pristine and everyone looks great. Emotions matched well with the song, and Ji Eun even gets some smooch time in there. While certainly not the standout ballad like 2AM’s “Can’t Let You Go Even If I Die”, the formula for the music video is the same and so a good one.
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Overall: 86 / 100
When you first listen to it, the muffles and filters of “Talk that” seem way too repetitive and unnecessary, but after multiple listens you can hardly even tell they are there (except for in the beginning, of course). What you’re left with is a beautiful melody and moving vocals, all in all making “Talk That” an excellent ballad.

December 3, 2012

[Review] TVXQ - Humanoids


Vocals: 7 / 10
Honestly, this song doesn’t have many impressive things happening in terms of vocals. Sure, the chorus is relatively high but other than that, it’s pretty ordinary. What I do like though, is the experiment S.M. did with abnormal vocal rhythm and patterns which we haven’t really seen. While the disastrous “Flower Power” of SNSD was just messy all around, this song’s mechanics work well together, but a lack of anything powerful out of Changmin keeps this score average.
Appearance: 9 / 10
Yunho’s hair got shorter, right? I can’t really tell but at least the style certainly looks like it’s shorter than when it was in “Catch Me”. Changmin looks solid per usual, but god everything is just too boring (see the music video portion) so I can’t really talk about much. In contrast to the similar uniforms of “Catch Me”, this gives Yunho and Changmin unique outfits in the colourful shirts as opposed to the blank / plain ones of the backup dancers.
Dance: 8 / 10
Now this dance I like, mostly because the type of movements matches the song (or at least the music video set anyway) with the sharp robotic movements. The integrated choreographies in “Catch Me” were cool but this style is more appealing in my opinion. On a side note to that though, since the choreography is very linear (nothing different from what the backup dancers are doing, excluding dance breaks), it was weird to try and make both members stand out with the different / bright coloured shirts.
Music Video: 4 / 10
Oh look, Yunho and Changmin are wearing fancy clothes. Oh look, Yunho and Changmin are locked in a fancy room. Oh look, all they’re doing is dancing and having close-ups. Oh look, they both have the same room in the solo shots. What else isn’t new? I’m just going to keep this section at that, because there really isn’t anything else to talk about.
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Overall: 70 / 100
S.M. has been pretty disappointing lately. “Maxstep” was okay at best, and “Flower Power” a disaster I never want to speak of, “Humanoids” falls in line and it’s just a decent song with a boring ass MV. Supposedly two more groups are to come from S.M. during 2013, so I hope they at least attempt to make some higher quality stuff. Then again, seems like S.M. has always been about quantity and not quality.

November 26, 2012

[Review] Lee Hi - 1,2,3,4


Vocals: 10 / 10
Lee Hi has a kickass voice! Not necessarily through emotion and power, but distinctive in the sound. The kind of voice that would rock songs like “Lady Marmalade” and other sassy type songs. That said, this song definitely has the Lady Marmalade vibe to it, so Lee Hi sounds fantastic. Her English is also really refined, something I didn’t expect. There’s a variety of English thrown around (required by the Korean music order) and not a single word is mispronounced. A solid range, pretty expression, and flawless English give Lee Hi a perfect score for vocals.
Appearance: 8 / 10
For such a young one, she looks way older, but I suppose that’s a trait shared by a variety of idols. I had no idea she was to be a member of YG’s upcoming girl group, so that threw me off in age guessing. At most angles, she looks like a younger Miryo (especially the ones with her hair back) and that is not a bad look at all. If she wasn’t so awkward in the music video, I probably would’ve given her a 9 or even a 10. Oh well, next time, Lee Hi!
Dance: 7 / 10
This song doesn’t place much emphasis on choreography (or the music video either, har har) and there isn’t much focused choreography until the second chorus. There’s no real theme to the dance either, just your typical shenanigans here and there. I probably should be ranking this out of 5 or not ranking it at all since it’s less focused but whatever. This will tie into what I have to say about the music videos later, but since Lee Hi is clearly the vocal dominant type, I think she should just forgo dance altogether (save it for the debut with the girl group) and just have a mic on set, and go from there (similar to Younha’s work).
Music Video: 4 / 10
Awkward does not begin to describe this video. I understand Lee Hi is young, and a rookie, but other rookies like EXO and B.A.P were pretty much flawless with their debut appearances in terms of energy, charisma, and most importantly lipsyncing. Lee Hi is to put it bluntly awful at lipsynching, in an eerie resemblance to YG labelmates Park Bom and T.O.P. Maybe it’s a trend: at least one member of each group has to (purposely or not) be terrible at lipsyncing. Does this mean T.O.P is actually good at singing?! The world may never know. Outside of really bad lipsyncing, her acting / energy in the music was lackluster, too. She looked stiff for pretty much the entire video except for miniscule seconds of emotion like a smile or wink. Hope she loosens up for the future!
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Overall: 75 / 100
Out of the blue, YG delivers Lee Hi with a catchy debut track full of soul and great vocals. While not something YG would normally release (I suppose save for 2NE1), it is very pleasant to listen to. Lee Hi is sure to be a standout vocalist in YG’s new girl group that’ll debut soon…right?