[Misc] The Late Report: January 2021

January is over and despite my lack of attention, there have been some interesting releases this month. Whether it's a preview of things to come or the rest of the year will deviate wildly, remains to be seen. Hope everyone has had a good (or at least better) start to their year than both myself and or last year. Stay safe out there. But then why are you "out there?"

Hyuna - I'm Not Cool

As I've said before on this series, not every song that makes it here is good. Hyuna has always been hit or miss with me and this time, she's struck out on three pitches. I just...don't like anything presented here. Some commenter on reddit said "the song isn't that good but Hyuna just makes it work." To that I say, "what exactly did she make work?" The structure is all over the place and I legit couldn't stomach a full second listen. Also this video thumbnail do be hella uncomfortable.

[Bonus] Best Of 2008 (And Earlier)

If I was hardcore I'd have remembered the exact day and month I got into Kpop but as a scrub I only know fall 2009 is when I started really getting into this field. Thus anything here is primarily thanks to history, legacy, and lore. Here are the best of what Kpop offered during the mid-2000's.

#10. Younha - Password 486

Even though her "Someday" album is the true masterpiece of the early Younha era, I had to go with "Password 486" because it's more iconic. Younha was already doing work in Japan but this release put her on the spotlight in her native country. The pop rock elements and her strong voice are the driving forces behind a cute song. Check out Younha killing it with some younger stars earlier this year.

#9. Kim Jongkook - One Man

Ballads used to be king back in the day. Gummy, Davichi, etc. Kim Jongkook was no exception and his "mosquito voice" works its magic here. I never talk about lyrics but that last chorus, damn. It's honestly one of the most memorable ballads in Korean music history. Kim Jongkook has stayed relevant over the years doing music and variety, so his longevity is impressive. Too bad the MV isn't found anywhere on Youtube. This breaks the continuity early on, oh well.

[Bonus] 2017 Kpop Awards

Welcome to the 2017 Kpop Awards post...in 2018. Unfortunately I've been sick for more days this new year than healthy, and thus the delayed release. This is a consolidated form of the awards, which will have eight prestigious awards and their magnificent recipients. Some of these might be obvious, and some others might surprise you. Let's see who the champions are this year.

Best Girl Group: Red Velvet

Two girl groups clearly dominated the competition in 2017. So why Red Velvet over Twice? For starters, even though Twice had better numbers on the charts, Red Velvet wasn't unrealistically far behind. More importantly, while both groups had a rigorous promotion schedule, Red Velvet simply had better music on the whole. I consider their worst release this year ("Rookie") stronger than Twice's best release ("Heart Shaker"). Then you have "Red Flavor" and "Peek-A-Boo," which were both stellar dance tracks that succeeded their previous flagship title of "Ice Cream Cake." They also brought back a little of their velvet side with Station releases, but hopefully their next comeback will be something along the lines of "One Of These Nights."

Best Boy Group: BTS

Surprise surprise, BTS is the boy group to beat. They had yet another efficient showing: four more solid tracks to add to their library. "DNA," "Spring Day," and "Not Today" were all different flavors of the BTS recipe: the refreshing pseudo-R&B track, the slower sentimental piece, and the tough dance juggernaut. Then you had the "Mic Drop" remix with hilarious English yet it was a damn good remix. Well done Steve Aoki. Perhaps most important out of BTS' 2017 is their early adventures in the American market. Appearances on shows like Jimmy Fallon and Ellen are no joke. I'm not saying they'll crush it in the U.S. should they embark on such a journey, but it's definitely a good starting point.

[Bonus] Best Of B-Sides III: 2017 Edition

Rather than make another Best Of B-Sides installment and having to refer to the list of ineligible artists, I figured I could use this one to highlight some B-sides that were some of my favorites of the year. It'll keep things recent while still providing some quality tracks that will segue nicely into next week's post about the best overall songs of the year. Treat this almost like a prologue to the Best Of 2017, if you will.

Primary - Drama (feat. Sunggyu)

Primary always drops amazing music. Even though they always trigger me because the featured artist is the only singer, I can forgive them for the quality songs. What's up with releasing half of a music video though? They did it with Solji, too. Anyway Sunggyu rocks "Drama," his voice stretches all across his range in this song and works very well on either end. Sunggyu has historically been great at conveying emotion when he sings, and that's evident throughout Infinite's discography and any collaborations like this one. With a group comeback in the work (sans Hoya) it'll be good to hear his voice some more.

Taeyeon - Fire

This is the best song with the title of "Fire." Get at me 2NE1 and BTS. Anyway "My Voice" is one of the best albums of the year (surprise) so it's not surprising to find the tracklist extraordinary. Much like Sunggyu in "Drama," Taeyeon runs her voice everywhere and sounds wonderful doing so. What's special about "Fire" is that the chorus comes in super fast: 35 seconds in but the song as a whole never feels rushed. That bridge is therapeutic, too. I'd love to hear like a heavy rock variation on this piece, or even with just a heavier drums influence.

[Bonus] Best Of B-Sides: Part II

It's been nearly a year since the first Best Of B-Sides. There's really no excuse that this shouldn't be a more recurring series. In fact, I'm going to aim for a new installment of these every month. On top of that, I'm going to make any artist that shows up be ineligible for future posts. This will ensure that everything stays fresh in terms of the groups (or soloists!) and their music. After all the purpose of these posts is to highlight some music that might be overlooked or less popular. Diversity in representation is something I strive for here and that applies to both the groups and their music.

FIESTAR - Turn Off The Light

At this point, "remember when ___" has got to be the most typed phrase on my blog. FIESTAR have been out of the spotlight for so long that I almost forgot about the other songs on their "Black Label" EP. "Turn Off The Light" is a great track that mixes dance and R&B elements together. The high tempo means a good choreography could've been coupled with it. Then top it all off with a fierce Yezi rap and it's no surprise this song is splendid on the ears. If not for the masterpiece that was "You're Pitiful" this could very well have been the title track.

Red Velvet - Zoo

If there's (only) one thing to rely on Red Velvet for, it is their constant string of sweet instrumentals. The "Red Summer" mini album was no different, and "Zoo" has one of many more exciting instrumentals. The animal noise mimicry is abundant and fitting, then there's Seulgi's gorilla scream which is certainly...something. All of the songs on this EP play to Seulgi and Wendy's vocal strengths, and also lets the rest of the crew play support rather well. Irene's starting to get a little better in the rap department, so we'll see how that develops in their newest album.

[Bonus] Best Of 2014 Revisited

Continuing the revisited series, we stop at a shy two years back in 2014. This was one of the more diverse years and I expect a handful of new entries to join the fun. Writing these redos have been fun and I may go in reverse after doing the 2015 set, although I'll probably only write 2011 and 2010 because my memory doesn't go much further back. At some point, I even plan for a "Best Of 2010-2015" and basically pit the top 5 of each year against each other to see which songs come out on top.

#12. INFINITE - Back (--)
Original: INFINITE - Back
Zero changes here. Infinite's "Back" was a reliable release with all the trademarks of the group in tow. Solid vocal showing from Sunggyu and Woohyun, and a dance performance that lives up to the Infinite name. In terms of the individual categories they all did well and came together well, too. There were some boy group songs competing for this spot (namely Block B's "Her") but at the end of the day the consistency of Infinite's track record proved stronger.

#11. Lovelyz - Goodnight Like Yesterday (NEW)
Original: Wheesung - Night & Day
Lovelyz kicks off five consecutive new entries to the 2014 list. Most of the songs that were replaced were ones that didn't have staying power, whether through the songs not being as good as initially interpreted, novelty wearing off, or a combination of those and other factors. "Goodnight Like Yesterday" is a premier ballad and helps out Jieun in that genre's representation. Soft soothing voices led by Kei make this a lullaby for the ages. The best part? "Destiny" showed that this wasn't a one-trick-wonder either, this style could be their bread and butter if they wanted.

[Bonus] Best Of 2014 (#4-#1)

4. Soyu & Jungigo - Some

Soyu has been on fire lately. Perhaps the best combination / collaboration of hers to date, Soyu and Jungigo provide some relaxing sweet harmony. Given no prior knowledge of Jungigo, suffice to say that I was very pleased with his voice and how it matched with Soyu. One of my favourite things (I really hate using this word) to see in a duet or collaboration is that no voice overpowers the other, and that when both of them are singing or harmonizing, you can hear both equally. You need the right combination of singers / voices in order to achieve that. I may have mentioned this before, but Kyuhyun & Tiffany's "Rise and Shine" is the perfect example. Anyway, all I'm trying to say is that this combination of Soyu and Jungigo is really good. While this is essentially a ballad duet (duet ballad?), it's not better than "Don't Look At Me Like That" because of the rap from Lil Boi. If there's one thing that has stuck with me since I got into Kpop, it's that nasal singing and rapping just don't sit well with me.

3. Orange Caramel - My Copycat

If this was a few years back I would have never imagined Orange Caramel would land a top 3 finish, but here we are. "Candy culture" was certainly never my style, and Nana's nasally voice compounded my interests to stay away from this subunit. But when "My Copycat" rolled around, All the walls were broken. "My Copycat" is very addicting, and very fun. Nana's nasal delivery isn't as prominent, and the instrumental is equally as goofy. "My Copycat" is hands down the best music video of 2014. Sure, another Orange Caramel nominee "Catallena" is arguably better, but the actual song of "My Copycat" is far superior. Anyway, the MV has you play a game where you find what's different between the scenes and subsequently has you try to find OC amidst a crowd. The dance is just as fun, silly, and carefree, not to mention that the "sexy outfits" are fantastically meta.

2, Girl's Day - Darling

"Darling" is cute. Going from sexy to cute seemed questionable at first, and I certainly thought so, but I couldn't blame them for returning to a familiar concept that drew them fans in the first place. And what do you know, Girl's Day is really good at being cute. With the combination of multiple strengths: a cute butt dance, the most inefficient car wash ever, everyone in a banana-esque outfit, "Darling" knows what it is and doesn't try to hide it. Once more, Minah really comes into her own with the adlibs at the end of the song, and even makes Sojin's support vocals look pedestrian here (I'd like to note that this was a good ploy, as in the following track "I Miss You" the lines were rebalanced to be more equal). Like I mentioned in my "Darling" review, the success of this song is not only related to Girl's Day as a unit, but because they showed even after a year of maturing into adults, they can still effortlessly pull off their original style.

1. Epik High - Happen Ending

"Happen Ending" is one of those songs where you don't need lyrics to be understanding. The calm, laid back nature of the chorus with the fast impactful raps is truly the Epik High formula we have all come to enjoy and love. It's worth mentioning that most people were wary of the YG signing as they feared Epik High would lose their trademark sound (and become YG-ified). It's clear that this did not happen, and this song and subsequently the album did not disappoint. I won't comment much on Tablo and Mithra as I believe I gave them enough praise during "Born Hater." Jo Wonsun's original feature was stable, but what "Happen Ending" really benefited from was having many different vocalists feature in live performances, and each brought their own distinct style, interpretation, and feel to the song. Younha was the closest the Wonsun's original sound; softer, but with the serene emotional grace that she usually provides. Lee Hi and Minzy brought a strong rich undertone to the chorus. Suhyun and Yoo Inna, while not amazing, were impressive in how they held their own in comparison. Surpringly, I find myself at a lack of words to talk about "Happen Ending." Maybe that's just how good the song is.

Merry Christmas, everyone. I hope you have a great time with friends and family during the holidays. Before the year comes to an end I may drop a few more bonus writings I've been toying with, and most importantly, I'd like to thank everyone that takes time to view my blog and listen to my thoughts about the Kpop world. It's been awesome, and I hope that 2015 will be a much kinder year for Kpop.

[Bonus] Best Of 2014 (#8-#5)

8. Mamamoo - Mr. Ambiguous

If you want to talk about an impressive year, look no further, because Mamamoo is about to blow you away. With a lineup of fresh new faces boasting incredible vocals (and a capable rapper), Mamamoo catches your attention right away with the classy smooth vibes of "Mr. Ambiguous." Seriously, Wheein, Solar, and Hwasa are nothing short of fantastic and show charisma, sass, and power in just a few minutes. Combining the fantastically smooth song with the stacked roster of cameos in the MV (Wheesung, K.Will, Baek Jiyoung to name a few), and Mamamoo made a statement that they're here to play. (Somehow "Mr. Ambiguous" photos don't exist, so I used "Piano Man," rest in peace consistency)

7. Girl's Day - Something

"Everyday is Girl's Day"? More like "2014 is Girl's Day." This year arguably couldn't have gone better for the girls. And they kicked off the year with the extremely mature and extremely classy "Something," The progression from "Expectation" and "Female President" to "Something" was really well done, and everything about "Something" shows that. The dresses, the choreography, the sensual vocals, and even the more serious tone of the music video are all welcome. When I first heard Minah, I wasn't as impressed with her as I thought I would be, but as Girl's Day kept releasing more songs with her carrying, I've really come to love her voice and the work she does for Girl's Day. Still, the support from Sojin, Yura, and Hyeri is solid, and the reason why Girl's Day has such a talented vocal lineup.

6. Jieun - Don't Look At Me Like That

Jieun, like Hana, suffers from a identity disorder where her group just can't decide what they want to be. That's why her solo work shows the best side of her, the side we often don't get to see. With "Don't Look At Me Like That," Jieun absolutely stuns with emotion and grace, and her clear voice really sells the message. This piece is easily Jieun's best to date, and shows just what kind of soloist she could really be if given the opportunity. If only Secret could play more to her strengths, "Don't Look At Me Like That" is the premier ballad of 2014, and I'm glad Jieun is the recipient of this award. Considering the competition with established veterans like TTS, and the vocal juggernauts of Hyorin and Ailee, Jieun did a damn good job with what she had.

5. Epik High - Born Hater

And now we move onto 2014's best rap track. "Born Hater" is awesome. Just straight up awesome. Combining all the various elements of rap: veterans Epik High, Verbal Jint, Beenzino, newbies Bobby and Mino, hilarious set and video capture, and strong lyrics make this a classic. The new kids are so impressive I didn't even know they were actually YG group members. Still, the lines from the previous generation (Beenzino especially) wouldn't get beat by a few young ones and the whole "Seven Deadly Sins" theme behind the video is excellent. Tukutz, in this season's most beautiful shade of orange, drops a sick beat and everything else is history. When they performed this live (most of them anyway) it was just as fun and hype as I imagined, and that's good. I imagine this will be a favourite rap track for a long time.

[Bonus] Best Of Collabs: Part II

Kyuhyun & Tiffany - Rise And Shine

One of many gems on the “To The Beautiful You” OST list, Kyuhyun and Tiffany have great complimenting voices and they know it. The song is upbeat, happy, powerful, and the harmonization is glorious. From the bright beginning to the lighter bridge and the powerful notes at the end, it’s definitely one of the best on the tracklist. The thing I like the most about this song is that neither Kyuhyun or Tiffany appear to be “in control” during the parts where they sing together (not solo parts or harmonies). You can’t tell that one has more presence over the other and that’s precisely it.

Hyuna & Hyunseng - Troublemaker

Yeah, the music video was all sorts of awk and bad, but Troublemaker is a ridiculously catchy tune and the whistling snaps are quite the hook. Hyunseng’s voice was clear and excellent. The belt near the end was a little weak but just a minor slipup. Hyuna’s usually subpar rapping is somewhat bearable, and it’s short which left more time for her voice. Kinda weird for a duo song, since Hyuna was the one on the lower register while Hyunseng was on higher notes but whatever works for the two.

IU & Seulong - Nagging

We went from happy and bright to a sexy dance song, how about something lighter and cuter? That’s IU’s cup of tea, and Seulong joined her for “Nagging” which was everything I mentioned earlier. I didn’t think Seulong would be a very good fit to the song based on that alone, but he didn’t really need to be. His raspy lower voice was a good at supporting IU’s brighter higher range on the chorus. Also, live performances of this song were half awkward and half cute.

Tablo & Taeyang - Tomorrow

Tablo’s return, signing with YG, and collab piece with Taeyang brought quite the amount of hype, and justly so. Tablo’s rapping is brief and good. Room for improvement but it was his first album since coming back so I can’t blame him for anything. I typically can’t enjoy Taeyang’s higher voice but the range was more pleasant than usual and so brought good contrast to Tablo’s rapping. While the music video was rather boring the song itself delivers, which is the most important part.