[Review] IU - Celebrity

Well this is eerily similar to how last year started, as this early release from a female solo act is the most exciting thing I've heard so far. Granted, I definitely have not heard much but that's what star power does for ya. IU is coming back with an album and released "Celebrity" ahead of time. Will this song hold up at the end of the year, like Younha's "Winter Flower" before it?

[Misc] The Late Report: December 2020

Short but sweet comes the December Late Report. Can't wait to still be pissed off about how Blogger fucks with my formatting. It's been months now and it still won't play nice with when I try to insert images or Youtube videos. I also may or may not have consumed a copious amount of alcohol while writing this. But as the young kids these days say, poggers or whatever.

This DLC Fucks

I don't care what the people say: CLC + Dreamcatcher = DLC. There's no better nickname for that combination. Anyway watch this choreography. It's not like I could comment on it in any way, shape, or form but like... They do be slayin' though. It's a damn shame CLC is fucking finished thanks to Cube's incompetence because who knows that the future holds for Seungyeon. She deserves better. The whole of CLC likely deserves better, but man. Seungyeon hopefully won't flame out because she's a goddamn star.

[Bonus] Best Of 2020

Since I didn't follow Kpop much at all throughout the year, I originally only had 12 tracks on the ballot which wasn't enough to justify a separate post for honorable mentions. Thus, two songs ended up getting cut from the final version which is unfortunate but hey that's the theme of 2020. Also I am once again bitching about the formatting because it won't every align everything properly or the way I want. I will continue to be tilted about this shit as long as Blogger keeps it up. Or I eventually stop writing here...

#10. K/DA - More

Damn if K/DA doesn't release powerful music consistently. Last month I talked about the 1million cover, but this month it's time to talk about the song. And yeah, I'm never getting to that album review... Anyway, Soyeon continues to put in work. Her verse is incredible at setting the tone and pace for the rest of the track. Lexie Liu's Mandarin bridge was also delightful. K/DA have shown their talent at mixing multiple languages seamlessly. What can I say, I'm a sucker for multilingual music, and "More" uses all three extremely well.

#9. Suhyun - Alien

Kinda wild to think that Akdong has been active since 2012, yet we only got a true Suhyun solo release this year. "Alien" is distinct from the usual AKMU sound yet Suhyun utilizes her talent to still give it a typical feel. Her voice glides through the song and is a nice compliment to the more harder-hitting instrumental. Also I didn't know this but their channel literally posts the lyrics in the video description. Suhyun edges out Chungha for representation here. Retro groove drives "Alien" forward, something it shares with the next song coming up.

#8. Seulrene - Naughty

It's a good thing these lists are for music only, otherwise there'd be an Irene-sized can of worms to discuss. Anyway, "Naughty" has that right combination of groovy powerful instrumental, electric choreography, and soothing vocals. Tutting has always been rare in the dances of Kpop so seeing it as the center of "Naughty" is really cool. Of course that's because of the execution by Seulgi and Irene. The chorus is pretty bland, but overall the pieces fit together very well. This track surpasses their other release "Monster" because of its polish.

[Bonus] The Late Report: April 2020

Ah, shit. I forgot that there are only 30 days in April. Oh well, we own our mistakes here. If you thought I didn't keep up much with Kpop before the pandemic, then boy this edition is gonna be shorter than Sunny. Let's see what I manage to scrounge up this time around.

Apink - Dumhdurum

One of the oldest surviving groups returned with yet another twist on their more mature sound. Gotta say that I am definitely loving their shift and the songs themselves are pretty solid. Unfortunately, they decided to ruin a completely viable song with the cursed rap line. In three seconds they committed three fouls: had a bad rap, had someone unfit to do said rap, and used the lame rising inflection at the end. The bridge is also pretty mediocre as far as Apink songs go. My sisters asked if I think Naeun had some surgery done, to which I responded "that's pretty much every idol though" and I stand by that. Although if anyone from Apink did something lately, I have a feeling it's Hayoung.

[Bonus] Best Of The 2010's

Back in early 2016 I made a post highlighting the best picks of the first five years of the decade. And of course there was the timeline post, too. But now with the 2010's behind us, it's time to see which of the top songs of each year would come out on top in a battle of the best. To make things simple, each year brings one candidate to the table. I contemplated giving some of the runner-ups a chance (because there have been some damn good #2 picks over the years) but that wouldn't be fair to all the songs who claimed the gold medal. This was arguably the hardest song ranking piece I've ever had to write. Let's see how the stars of the 2010's match up against each other.

#10. Ailee - Heaven (2012)

Make no mistake, the fact that "Heaven" is a debut track making a top 10 such as this is impressive. Plus, it's the only debut track to have accomplished such a feat. Some debuts have been good, but never this good. "Heaven" is a sublime power ballad that showcases Ailee's technique, power, and range all in one song. Ailee's powerful vocals have always been the center of attention for obvious reasons and her career started off on quite the introduction.

#9. 2NE1 - Ugly (2011)

The only knock I really have on "Ugly" in the context of the rest of these songs is that it's decidedly safe in most respects. Don't get me wrong it's still an emphatic dance number. I also love the lyrics and message that this song delivers, but some of the traditional YG mannerisms show up - in particular the chant-esque bridge - which by themselves are not bad, but fail to stand out compared to others here.

#8. IU - Blueming (2019)

The trouble with writing a list like this so soon after 2019 ended is there hasn't been enough time for the newest song to simmer in the ol' library you know? Because while "Blueming" is brilliant, it loses out against other tracks simply because it came out the latest. Still, IU's switch of styles provides a relaxing and soothing listen. No doubt after a couple years we will look back upon its legacy like some of the other songs here but for now it'll nestle itself at 8th place.

[Bonus] Best Of 2019

Last year, the Best Of 2018 post was released Christmas Eve on which I worked. This year's Best Of 20XX will be released on Christmas Day. Can you guess if I worked yesterday? Hope you said yes because I'm drowning myself in alcohol over the next few days. These are my picks for the top tracks in 2019. Remember, it's just an opinion bro.

#10. Taeyeon - Blue

Starting off with a B-side? You goddamn right I am. Taeyeon has made more progress to her career this year, but none better than this somber and soothing ballad. Don't get me wrong, "Four Seasons" and "Spark" are both excellent additions and showed yet more of her brilliant versatility. Combined with her Japanese release "Voice," they make for a fine 2019 trilogy. However, the simple beauty of "Blue" rises above the rest. It definitely feels weird to have a B-side on the Best Of 20XX series but hey it's been done before. Hell, I'd argue that it's kinda surprising that none of her title tracks were better, though that may be because of her high standards.

#9. Mamamoo - Gleam

Mamamoo have had a year of ups and downs. Activity and popularity-wise they have been rolling, but between "gogobebe" and "Hip" nothing has really knocked my socks off. Then I remembered that they released "Gleam" which was more a promotional CF of sorts kinda like "Woo Hoo" was for some Samsung phone. The fact that it's an ad for (sun)glasses makes it better. It's the most polished Mamamoo track despite "Hip" being solid thanks to its simplistic nature. Shoutouts to the bowling alley dance floor. First a B-side and then a promotional song, what a weird start to this year's best.

[Bonus] The Late Report: November 2019

My blog and random breaks, name a more iconic duo. It's been a rough time across the holidays...I won't front, my mental state has been in disarray for a while and even before that. Still, I'm gonna keep fighting and writing, as the latter is one of my most surefire ways to focus and recenter. I have some typical end of the year stuff to wrap up 2019, and we'll start December as we should any month: with the Late Report.

(G)I-DLE - Lion

I dread writing this group name every. Single. Time. Anyway "Lion" is their most complete work in their short careers thus far. The usual contributors are doing their thing: Yuqi and Soojin have their beautiful voices, while Soyeon drops yet another bomb rap break. But then the surprises like Miyeon rocking the chorus and sounding her best since "Pop/Stars," Minnie getting her chances to shine, and Shuhua getting more lines! This is as balanced a performance you'll ever see, and they continue to improve with every subsequent release.

[Bonus] Best Of 2018

Hey I had to work on Christmas Eve haha! Who needs an introduction? These are my picks for the top songs in 2018. Let's fucking get it.

#10. Pristin V - Get It

Apparently people slept on "Get It" but it's the best ever released by Pristin (even though this is a subunit). It's kinda sad, but this is what optimal Pristin looks like. The song matches the instrumental in the hard-hitting nature, while everyone serves up that femme fatale look. From Eunwoo's vocals to Rena's rapping, each member puts in a solid performance for a well-rounded track. Without any aegyo bullshit or unnecessary moments, it's easy to see why "Get It" earned a spot on this list. Hopefully the rest of Pristin can get on this level for the future.

#9. Stray Kids - I Am You

Stray Kids are the new kids on the block, and they've amassed quite the early portfolio. "I Am You" is a refreshing take on the typical energetic dance track mixed with some powerful rapping. Like SM, JYP finally has some solid rappers with this generation of groups. As far as first impressions go, they remind me of GOT7 if GOT7 had actual rappers. Changbin, Han, and Felix make the highlight reel (though the latter is mostly on voice alone) and the singers aren't bad either. I imagine they will pan out nicely thanks to their rapping and composition abilities.

[Bonus] 2017 Kpop Awards

Welcome to the 2017 Kpop Awards post...in 2018. Unfortunately I've been sick for more days this new year than healthy, and thus the delayed release. This is a consolidated form of the awards, which will have eight prestigious awards and their magnificent recipients. Some of these might be obvious, and some others might surprise you. Let's see who the champions are this year.

Best Girl Group: Red Velvet

Two girl groups clearly dominated the competition in 2017. So why Red Velvet over Twice? For starters, even though Twice had better numbers on the charts, Red Velvet wasn't unrealistically far behind. More importantly, while both groups had a rigorous promotion schedule, Red Velvet simply had better music on the whole. I consider their worst release this year ("Rookie") stronger than Twice's best release ("Heart Shaker"). Then you have "Red Flavor" and "Peek-A-Boo," which were both stellar dance tracks that succeeded their previous flagship title of "Ice Cream Cake." They also brought back a little of their velvet side with Station releases, but hopefully their next comeback will be something along the lines of "One Of These Nights."

Best Boy Group: BTS

Surprise surprise, BTS is the boy group to beat. They had yet another efficient showing: four more solid tracks to add to their library. "DNA," "Spring Day," and "Not Today" were all different flavors of the BTS recipe: the refreshing pseudo-R&B track, the slower sentimental piece, and the tough dance juggernaut. Then you had the "Mic Drop" remix with hilarious English yet it was a damn good remix. Well done Steve Aoki. Perhaps most important out of BTS' 2017 is their early adventures in the American market. Appearances on shows like Jimmy Fallon and Ellen are no joke. I'm not saying they'll crush it in the U.S. should they embark on such a journey, but it's definitely a good starting point.

[Bonus] Best Of 2017

At last we have arrived. The finale of 2017. No more teasing, let's cut straight to my top 10 songs of the year.

#10. Akdong Musician - Dinosaur

Akdong Musician have been a sleeper pick all these years. They release solid music and I've casually glanced over them time and time again, but no more. "Dinosaur" was AKMU's first take on the EDM genre and it's a mighty successful one at that. I like how the song opens with guitar for ten seconds before sucker punching you into reality. In the last couple of years plagued by songs with disappointing climaxes, "Dinosaur" avoids this mistake with a brilliant break-chorus hybrid. The first time I heard this song was through speakers so I didn't even know that Suhyun was actually singing those notes (starting at 1:42). Her voice is incredible and she'll be a superstar vocalist for many years to come. Also helpful is that Chanhyuk's rapping is absent. Those were always my least favorite parts of AKMU songs. "Dinosaur" is brilliant and I hope they return to some of this stuff once Chanhyuk finishes military service.

#9. Sistar - Lonely

In a year where girl groups disbanded left and right, it felt good to see at least one end their group career peacefully. This is as beautiful and solemn a goodbye as you'll see in Kpop. Their voices are pristine, and while Soyu and Hyorin's abilities are of no surprise, Dasom turns in her strongest performance yet. Bora also shines with a powerful rap that helped erase her mediocrity of the previous few years. These solid factors make this breakup all the more painful. This was as well-rounded of an effort since "Alone," and off the heels of "I Like That" one thought Sistar would be returning to form. But alas. The fact they got to perform this song live makes their finale all the more bittersweet. God, I miss Sistar so much.

[Bonus] Best Of B-Sides III: 2017 Edition

Rather than make another Best Of B-Sides installment and having to refer to the list of ineligible artists, I figured I could use this one to highlight some B-sides that were some of my favorites of the year. It'll keep things recent while still providing some quality tracks that will segue nicely into next week's post about the best overall songs of the year. Treat this almost like a prologue to the Best Of 2017, if you will.

Primary - Drama (feat. Sunggyu)

Primary always drops amazing music. Even though they always trigger me because the featured artist is the only singer, I can forgive them for the quality songs. What's up with releasing half of a music video though? They did it with Solji, too. Anyway Sunggyu rocks "Drama," his voice stretches all across his range in this song and works very well on either end. Sunggyu has historically been great at conveying emotion when he sings, and that's evident throughout Infinite's discography and any collaborations like this one. With a group comeback in the work (sans Hoya) it'll be good to hear his voice some more.

Taeyeon - Fire

This is the best song with the title of "Fire." Get at me 2NE1 and BTS. Anyway "My Voice" is one of the best albums of the year (surprise) so it's not surprising to find the tracklist extraordinary. Much like Sunggyu in "Drama," Taeyeon runs her voice everywhere and sounds wonderful doing so. What's special about "Fire" is that the chorus comes in super fast: 35 seconds in but the song as a whole never feels rushed. That bridge is therapeutic, too. I'd love to hear like a heavy rock variation on this piece, or even with just a heavier drums influence.

[Bonus] Best Of 2010-2015

Now that we've looked at some of the best songs of each year for the past 6 years, it's time to look at the bigger picture: who will come out on top overall? To find out the best song(s) from 2010-2016, only the top 3 of each year will be candidates. After all, it would be unfair (and also too much work, admittedly) to look at the top 5, or each full list. Anyway, if you want a refresher, here are the candidates.

2010: Taeyang - I Need A Girl, Rainbow - A, IU - Good Day
2011: Big Bang - Love Song, Davichi - Don't Say Goodbye, 2NE1 - Ugly
2012: Girls' Generation-TTS - Twinkle, Big Bang - Blue, Ailee - Heaven
2013: Girl's Day - Expectation, SPICA - Tonight, 9MUSES - Wild
2014: AOA - Miniskirt, Girl's Day - Something, Soyu & Junggigo - Some
2015: INFINITE - Bad, FIESTAR - You're Pitiful, EXO - Call Me Baby

I'll only list the top 10 for simplicity sake, and because I've talked about many of these songs a number of times already, the conversation will revolve around why one song is better (or worse) than another. It's another simple piece of writing as I prepare for another week of midterms and the new Twice review.

[Bonus] Best Of 2010

I may have been looking forward to the nostalgia trips of 2011 and 2010, but it never dawned on me how difficult ranking may have been. Forget that 2010 was a tough year - not only did it seem thin on hits, but of course, my memory isn't as efficient going that far back. Great songs were still found, so the list must be made. Either way, this is the last stop in the Best Of series, at least until December rolls around and I do the list for this year!

#12. G.NA - I'll Back Off So You Can Live
G.NA has been mostly a miss during her career - which is quite awkward to say, given her career is basically over or on indefinite hiatus at this point. However, her debut was what caught my attention for being a really pretty song that framed her voice nicely. This song was probably one of the best debuts for a soloist I didn't know about. Unfortunately, subsequent releases from G.NA failed to live up the expectations she set for herself with "I'll Back Off So You Can Live."

#11. 2AM - I Can't Let You Go Even If I Die
Korea loves ballads, and 2AM is one of the best at delivering them. They were the premier ballad idol group and their long history shows their pedigree. "I Can't Let You Go Even If I Die" is a lengthy title, but who cares? The voices of 2AM are beautiful and each member got to shine in their own way. This was the song that really stood out to me in terms of both their individual talent and working together with each other for harmonies.

[Bonus] Best Of 2015 Revisited

The finale to the Best 201X Revisited is probably premature, considering we're only barely halfway through 2016, but I committed to it and wanted this one written before anything like a Best Of 2011 so here's another look. Unlike other installments, I'm pretty satisfied with my 2015 set (and part of that is certainly due to the shorter time between revisions) so there are relatively few changes across the board. With the said, it'll likely prove difficult to write anything substantial about the songs that I didn't already say before in December. Still, we'll give it a go and wrap up this series today.

#12. Big Bang - Loser (-2)
Original: 9MUSES - Hurt Locker
Simplicity is key, and Big Bang capitalize on that statement with the quiet and calming track that is very much the successor to "Blue." However, while no one can question the quality, it simply loses out to other songs based on their general noise and energy. When you need some relaxing tunes, or want to emo out for a bit, "Loser" has your back. "Loser" falls to 12th not because it's a loser - it is very much a winner, but because it's the most boring song on the list.

#11. Mad Clown - Fire (NEW)
Original: IU - Twenty Three
Honestly, Mad Clown has some transcendent stuff. He has a pretty unique flow and his voice can sometimes be grating, but it's never really turned me away from his music. With "Stupid In Love" having placed him on the radar, Mad Clown joined forces this time with the less known Jinsil for "Fire." Jinsil has a sultry seductive voice, which is a pleasant counter to Mad Clown's explosive rapping. By all means this song should've catapulted both into stardom but that hasn't happened quite yet.

[Bonus] Best Of 2013 Revisited

As a heads up, I'm gonna be pretty busy over the next few weeks. Apparently my next online course is no joke with the amount of reading materials, and I'll be traveling to Korea for a week (which is gonna be awesome!). I have a plethora of writing I want (and started) to do - as evidenced by the "Coming Soon" section, but no idea if they'll come to completion or not. Anyway, here's a look back at my picks in 2013 and how the list would look like now in hindsight.

#12. Davichi - Turtle (NEW)
Original: Davichi - Be Warmed
Davichi's original two tracks have been dropped and replaced by the lovely "Turtle." I consider "Turtle" the medium between "Be Warmed" and "Because I'm Missing You Today." It possesses the lighthearted feel of the latter while still maintaining an intensity in the powerful vocals of the former. Sure there's no Verbal Jint appearance but he's already a bonus to begin with. The vocal work between Minkyung and Haeri is divine in "Turtle," and has over the years risen to be my 2nd favorite Davichi track (behind "Don't Say Goodbye," naturally).

#11. Gaeko - Rhythm Is Life (NEW)
Original: JeA - Days & Nights
In the first list, Dynamic Duo was the sole male representation. This time around, only Gaeko returns (though there is another male artist later). Like I mentioned in Best Of 2012 Revisited, Korean hip-hop didn't fly onto the radar until 2013, and this was one of the pioneering tracks. Gaeko's "Rhythm Is Life" is a straight masterpiece in terms of the execution of lyrics. His delivery is pretty close to flawless and the replay value is through the roof. Gaeko and Dynamic Duo helped pave the way for other hip-hop artists to join my library.

[Bonus] Best Of 2015 (#15-#11)

Best Of 2015 is officially underway, and I've selected my top 15 picks for this year of Kpop. While we'll get a headstart on this set, I'll also be working on a "2015 Kpop Awards" excerpt that will cover a broad variety of topics. Any extra content recapping the year will be good, considering I've slowed down the last month and a half. But so has Kpop, and it's honestly a nice reprieve until 2016 starts up. Without wasting more time, let's get into the bottom section of the Best Of 2015.

15. SHINee - Married To The Music

This was SHINee's breakout year. The group's 4th studio album was perhaps their best yet, with tracks like "View" and "Love Sick" on the spotlight. But when the typical S.M repackaged version came along, "Married To The Music" became a premier dance anthem of 2015. With a Halloween-inspired MV, excellent choreography native to SHINee's name, and addicting vocals from everyone (except poor Minho), the title track of the repackage finally gave SHINee a spot among the greats. "Good but not great" was always what I had previously described this group with, but that was before this year. Catchy lyrics and powerful dancing appear to have achieved a final form with SHINee and "Married To The Music."

14. Sistar - Don't Be Such A Baby

Maybe it's because I consider "Alone" to be their best title track and the group's best era, that I find a song in a similar vein just as good. "Don't Be Such A Baby" is the standout B-side of "Shake It," as previously mentioned during the summer reviews. Breathy vocals from Hyorin and Soyu were joined surprisingly by Dasom who did not sound out of place in any way. The rap combo between Bora and Giriboy provided lighthearted and charismatic rapping that put both rappers in a positive light. Live performances didn't demonstrate too much choreography. The girls mostly stood around looking fantastic but what little dancing was smooth and sensual, just like the song. "Don't Be Such A Baby" recovered the "Shake It" mini along with Sistar's top 3 placement as a girl group contender.

13. Younha - Thinking About You

A beautiful ballad that was the essence of autumn, Younha graces the top songs of the year for the 4th straight time. While she wasn't too active in 2015, the appropriateness and serenity that "Thinking About You" had more than makes up for lost time. Soft and pretty vocals control the flow of the song, and had potential to be a quietly perfect song. It's a shame this chance was ruined by Chanhyuk's rapping segment. Maybe said rap could've done better in a different song, but here the rap sounds awkward and very out of place. I wasn't even aware he rapped in any of Akdong Musician's music. Oh well.

12. 9MUSES - Hurt Locker

"Hurt Locker" was what 9MUSES needed to get back on the radar after the ineffectiveness of "Drama." Instead of a subpar beat with uncomfortable transitions, "Hurt Locker" delivers active singing and dancing from start to finish. The instrumental is pretty killer and Erin's rap doesn't have any unnecessary guest Sungah appearances. Everything about the song is in place and while it's certainly no "Wild," (or even "Glue" for that matter) "Hurt Locker" became a premier summer jam and was in general one of the best songs over the summer. Considering how inactive they were the year before, getting (back) into the top 12 is worth applauding. Here's hoping they gain some more momentum and recognition for next year.

11. IU - Twenty Three

Another artist that wasn't too active in 2014, IU's much-anticipated return with "Chat-Shire" exceeded all expectations (which is already a tall order). Silly shenanigans that can't even be called "controversies" aside, every track on the mini was delightful and "Twenty Three" was the spearhead for such a successful EP. With one of the most artistic (flamboyant?) music videos of the year, IU displayed character, charisma, and most importantly, consistency in the short 3 minute span. Admittedly the bridge could've been better but with such high marks everywhere you can hardly complain. "Twenty Three" provides stiff competition to "Good Day" as one of IU's absolute bests.

[Review] IU - Chat-Shire EP

Another solo artist returns, this time it's the lovely IU, fresh(?) off of news about her relationship with Jang Kiha. Moving on, "Chat-Shire" seemed to tease a fairytale world / concept, so let's see how she executed by taking a look at the mini album. Brief note about the links, I'll obviously have them available when I first publish the review(s), but if in the future they get taken down I'll just have to either not include them, or have like the lyric versions of the videos or something. Hopefully the sources / accounts won't get banned too too quickly.

1. New Shoes

"Chat-Shire" starts off with the inviting "New Shoes." Everything about this track screams chill (perhaps not screaming, ha). It's a perfect match for the season as the weather turns colder. Upon my first listen I thought there was more English sprinkled in the lyrics but thankfully I was just mishearing things. IU alternates back and forth between the charismatic verses and clean runs in the chorus. I'm still not a fan of layered vocals in the background but when you're a soloist you need that to help out. "New Shoes" has arguably the strongest bridge in the album, with the fake key changes and how comfortably she takes on some of those long notes. It's a shame the bridge couldn't be longer. This song sets the stage to style of the album, and does a damn good job.

[Review] HIGH4 & IU - Not Spring, Love, or Cherry Blossoms

Ballad and IU sounds like a sweet deal to me, and with rookie group HIGH4 making their debut, supposedly with a few members knowing IU, sounds like a good recipe for a tasty ballad.

~

Vocals: 9 / 10

Gotta hand it to HIGH4 and their management. If you’re gonna debut with a ballad, enlisting the help of IU is pretty genius. IU is one of the premier ballad masters with her sweet voice, and is perfect for the song and lyrics. On the flipside, the male voices from Myunghan and Sunggu provide rich lower ranges that provide a simply delightful combination with IU’s airy high notes. I have no other words. Absolutely. Delightful. The lone mark off is due to a lack of anything that stands out and says “Wow” which might be expected towards the end. Still, the phrase “Not spring, love, or cherry blossoms” has never sounded sweeter.

Appearance: 7 / 10

IU looks sweet, adorable, pretty, etc. As always. She is simply immune to aging, an ability others in the industry also share. I have no problems with the looks of HIGH4, and in fact I could instantly discern which members were the rappers through looks alone, but what’s up with the highlights / coloured hair? Just seems they chose random colours and the whole process is questionable. Since their debut song of choice was a ballad, having bright colourful hair seems out of place and they look very goofy.

Dance: ? / 10

Um. I guess there was something of a dance at the end. I’m not weighing this at all, of course, as there was as little choreography as there was actual dancing shown in the MV.

Rap: 4 / 10

Meh. I’ve seen better, I’ve seen worse, but the main problem with the rapping is that it’s just out of place in this ballad. Not necessarily saying that raps have no place in ballads, because that’s not true. There are a handful of ballads with excellent execution of rapping (LeeSSang’s “Tears” and EXO’s “Baby Don’t Cry” are just 2 examples), but this falls rather flat. The voices of both Yongjun and Alex aren’t exactly the type of voice for rapping, and they remind me of BTOB’s “Ilhoon” at best, with slight nasal tones. Despite the already swayed opinions, I think the rapping pair could do better with a different type of song.

Music Video: 6 / 10

Okay, so I admit the set was cute, and allowed for some fun “interactions”, if you will. The rapping members in the car, heh. Other than that though, there’s not much going for this video. For a song about couples and “love, spring, and cherry blossoms”, I only saw the cherry blossoms (which, might I add looked like snow at some points). There were no other couples to be looked at or sought after, and I never thought that the set could be considered in springtime. Alright, I guess.

~

Overall: 66 / 100

That rap, man. Absolutely murdered this score. Ignoring that, this ballad is very sweet. The mesh of voices between IU and HIGH4 is quite divine, and since the song is a ballad, everything is even better / more amplified. Just goes to show how much weight one category will pull, and more importantly how execution of rapping can be so crucial.

[Review] IU - The Red Shoes

Vocals: 23 / 25

Talk about a retro sound. IU brings us a portion of nostalgia lane with a snazzy jazzy tune with her voice does a damn well job of it. There’s a gentle mixture of emotion, sass, high notes, and energy throughout, which is really enjoyable from IU. IU hasn’t really dabbled in the deeper ranges since “4AM” so the beginning is a pleasant surprise, but she doesn’t forget her roots and goes up for those lively and lovely higher notes for the chorus, not to mention the pretty falsettos. Unfortunately, the aegyo displays of…whatever the hell she mumbles after the chorus (sounds like “Oompaloompa” I think) blocks this from getting a perfect score. Compared with the tone of the vocals in the rest of the song I feel she could’ve done better without adding any aegyo or cute sounds. Also, while her relatively small use of English was good, her “stop” in “stop the time” really irked me, as it sounded more like “standard time” even after a few listens. Nonetheless, can’t blame her for that.

Music Video: 24 / 25

Wow, this music video is lengthy…and it’s set in France? Oh nevermind, there’s like three minutes of credits and filler. Thankfully, the actual music video is certainly not filler and is more than the time’s worth. I’m not one for the analytics and deeper philosophy of music videos, but this was a good reenactment of the original fairytale. The colours (including the black and white only scenes) provide for easy viewing, and the dancing is not that bad either. IU has never been choreography-heavy but it’s sassy enough to match the theme of the video as well as the song itself. As for her becoming more mature and advancing into the sexy role, she doesn’t do anything “extraordinary” but the hair colours look amazing on her.

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Overall: 94 / 100

Not only has IU made a comeback that was different (in at least a little way), she made a comeback with force, and also pleasantness. Both the vocal work and music video are impressive in their own right, and combined together give this a really impressive score. The red shoes will keep dancing, and IU will keep on singing. 

[Bonus] Kpop Free Agency: Soloists

We’ve all imagined idol group shuffling, where members get exchanged for some dream, interesting, or just downright wacky new groups. But what about solo artists? What if they had the choice to join groups? Would they go for something that they’re right at home with, or try something entirely different?
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Ailee

There’s no secret that Ailee wouldn’t mind being in a group. Ailee has stated in interviews that she gets lonely at times and thus would love being in a group. Ailee named 2NE1 as the “dream” group she would like to be in. While Ailee’s powerhouse vocals and fluency in English would certainly help out 2NE1′s foray into the US (and the thought of listening to her in songs like “I Am The Best” and “Falling In Love” are highly entertaining), there is another group more tailored to her skills. Imagine if you will, Hyorin and Ailee the powerful juggernaut vocals of Sistar’s music, with Dasom and Soyu providing supportive transitions with their lighter voices. Ailee’s addition into Sistar would not only improve the already excellent vocal quality of Sistar, but also bring some more diversity in terms of the rapping. Bora and Ailee can share parts, which will either bring more exposure to Bora or force Starship to give Bora some singing lines.

IU

While a little behind on the timing, IU’s maturity from (bubblegum) pop to more serious songs really strikes a tune with Girl’s Day’s transition to “Expectation” and “Female President.” Girl’s Day has always been one of the girl groups with better line distribution, so including IU in the mix will not leave her overshadowed or underrepresented at all. IU’s voice brings another layer to Girl’s Day’s vocals, with her higher register meshing well with Minah. IU’s distinct voice will also provide a blend from members like Sojin and Yura who have lower voices. The primary difference that would result from being in a group like Girl’s Day is the outfits in MVs which are more revealing in contrast to IU’s more conservative outfits. All in all, IU’s unique voice and charm could help bring Girl’s Day into the spotlight with the recent releases.

Lee Hi

When first brainstorming this topic, Ailee and Lee Hi were the first two that came to mind. Ailee easily found a home with Sistar, but for Lee Hi, something was different. Her rich voice certainly appeared to be a valuable asset and could appeal to any group, but when you look at her music, it is so very much “YG” that it was difficult to think of a complementing group. A group like Brown Eyed Girls would bring challenges for Lee Hi as she tackles different genres, but joining 15& would accentuate the distinct voices of the girls already in the group. Something not yet mentioned thus far is age, which Lee Hi not only fits in age-wise, but also by the age of their careers, both having debuted in October of 2012. This also was the more interesting choice since she’s going from YG to JYP, but Lee Hi’s proficiency in English enunciation will only help her with the plethora of English found in most JYP songs.
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This was just a few ideas amongst a multitude of solo artists. I didn’t mention more seasoned singers like BoA and Younha, while neglecting male solo artists like Huh Gak and Se7en entirely (although for the latter, that may the better choice). The world of group theory is a diverse and interesting one. Who are some solo artists you could see fitting into groups, and which groups are they?