- Originally the Team B that lost to Winner, this set of trainees had to wait an extra year before their debut with "Welcome Back." While a year is certainly a long time, iKON had to be careful to not be similar to their now-sunbaes, but maybe the YG flag would be enough to give them (more than) a pass regardless.
Showing posts with label iKON. Show all posts
Showing posts with label iKON. Show all posts
March 25, 2020
[Review] iKON - My Type (Revisited)
January 31, 2020
[Bonus] The Late Report: January 2020
Whoops. Sometimes you just forget things. And I forgot about December's Late Report. Thus we'll have a super mega awesome combined deluxe version for this month (even though it'll mostly be for news from January regardless). These will also come out at the end of the month instead of the start of the following month, so this edition makes its debut on the final day.
Younha - Winter Flower
Alluded to in my review of "Dark Cloud," "Winter Flower" is a sensational track that features the brilliance of Younha's powerful voice with an electrifying instrumental and RM's appearance. Obviously he's a little busy as of late so he wasn't able to join her in this performance. No idea who BX is but he did a solid job stepping in for RM here. His voice is too nasally for my ears on a first listen but he keeps pace with the original, so props. I like this song so much that I'm trying to learn it on the piano. This will be the first time in almost a decade since I've touched a piano ha, should be a fun challenge.
BTS - Black Swan
Speaking of, here's BTS performing on the Late Late Show with James Corden. Considering that I did not look at any of the "Black Swan" releases of any form, I didn't know what to expect. The first thing I noticed was that this is very much modern BTS with the dancing and style of the song. Not surprising since this formula has been relatively untouched since their meteoric rise. The second thing I noticed was that they weren't wearing shoes. That couldn't have been easy. Shoutouts to the show and all because the whole setup was phenomenal: stage, scenery, lighting, etc. It's a great teaser for their upcoming album, that's for sure.
Red Velvet - Psycho (Remix) (feat. Nicki Minaj)
Kpop remixers really out here trying to add Nicki Minaj to every song. When it's this well-done, can you complain? No, you can't. Given that she has collaborated with BTS before, you could show this to someone new and they'd probably think this was legit. Okay given Nicki's lyrics probably not but you get the point haha. Since we've yet to see the rumored English version of "Psycho," a remix like this will have to do for now.
Labels:
[Bonus],
[Season 10],
9MUSES,
BTS,
Dreamcatcher,
Gary,
iKON,
Pristin,
Red Velvet,
The Late Report,
TWICE,
Younha
December 22, 2019
[Bonus] Best Of 2019: Honorable Mentions
Christmas is almost here and that means the Best Of 2019 are also almost here. But before that, let's check out some of the songs that almost found their spot on that prestigious list. Some of these songs will be very familiar, as will some of the final set that drops on Christmas day. Nonetheless they are all here for a reason: quality tracks with a plethora of positives. Might not necessarily be the best of the remainder (when is it ever) but all are worth mentioning.
I'm actually going to go out of my way and list some of the songs I've previously talked about throughout this year. Since this is not a valid strategy for the actual Best Of 2019 post I'm utilizing it here. The leading lady of this group has to be Twice and "Feel Special." If these were ranked, their best work would surely have been #11. Such a fantastic dance number with many boons and a refined mature sound that they have been working toward all this time. Jihyo is god tier, and the members make solid contributions paired with a blessed instrumental. Had this been any other year it'd have been good enough for a higher placing but the competition in 2019 is super tough.
Labels:
[Bonus],
[Season 9],
20XX,
Akdong Musician,
Best Of,
Heize,
Hyorin,
iKON,
TWICE,
TXT
July 2, 2019
[Bonus] Best Of 2019...So Far
It'll be tradition to post a Best Of the year at the midway point because I loved the idea that some songs would start strong early and then falter off, or new challengers would rise up during the second half. In the 2018 edition four of the nominees would go on to make the final list at the end of the year so let's see if 2019 can do better. Compared to last year, I haven't paid as much attention music-wise because I've been busier (though blog production is the best going into July over the last three years) but I'm pretty comfortable with my list. This time we'll go in alphabetical order by artist, to prevent bias when I reference this at the end of the year for Best Of 2019.
Chungha - Gotta Go
Oh look it's Chungha again, back so soon? "Gotta Go" is the pinnacle of her solo career thus far, showcasing her wide range of vocals, enchanting choreography, and gorgeous visuals. She struts her stuff from start to finish and the fact that it kept improving off her previous releases makes things even better. Extremely consistent, excellent composition, and stellar aesthetics make for a well-rounded track out of this well-rounded artist.
GFriend - Sunrise
This entry is a painful reminder I need to finish the next iteration of Girl Group Power Rankings seeing as GFriend is coming back very soon. Nonetheless their "Sunrise" was a perfect way to start the Kpop year. The main selling point of this song is the chorus, which is once again spearheaded by their two-headed vocal monster in Yuju and Eunha. Said chorus is exhilarating and climbs in both the notes and energy, something which you'll see from another girl group later in this post. Between the strong team performance and beautiful structure of the song, "Sunrise" is yet another addition to GFriend's repertoire.April 14, 2019
[Bonus] Boy Group Power Rankings: Spring 2019
Holy shit Boy Group Power Rankings?! This year truly is a year of surprises. And this case, good ones. As someone that always paid way more attention to the girl group landscape, but hey there are interesting things going on over on this side. I doubt this will become a recurring series - at least not for a while - but it's fun to draft these and y'all know how much I love power rankings of any kind. Speaking of...I'm really slacking on the Girl Group Vocalist Power Ranking that I've had foundation work for since half a year ago. Promise I'll get that out soon.
Let's talk methodology: it's really difficult haha. Because where do I even begin? Roster, talent, discography, statistics, history, legacy, etc. It's all a foggy blend and there's no real marker of when I should begin considering - too recent and the veteran groups lose out, too far back and the nostalgia goggles kick in. It's harder since there's no previous list to reference. I don't even remember how I determined placings for the first iteration of Girl Group Power Rankings. Looks like I'll have to rely on feel and adjust accordingly. Don't expect as detailed descriptions compared to the female counterpart list.
#10. Infinite
Honestly this spot makes you feel like a loser no matter what. With the complicated formula to determine who is "better," I settled with Infinite here over GOT7. Their rosters are actually pretty similar with both housing some unsung heroes in the vocals department. Choreography is their strength while rapping their weakness. But Infinite not only has seniority, but a better resume overall. "Bad" and "Back" are a pair of tracks that best anything in GOT7's library.
Let's talk methodology: it's really difficult haha. Because where do I even begin? Roster, talent, discography, statistics, history, legacy, etc. It's all a foggy blend and there's no real marker of when I should begin considering - too recent and the veteran groups lose out, too far back and the nostalgia goggles kick in. It's harder since there's no previous list to reference. I don't even remember how I determined placings for the first iteration of Girl Group Power Rankings. Looks like I'll have to rely on feel and adjust accordingly. Don't expect as detailed descriptions compared to the female counterpart list.
#10. Infinite
Honestly this spot makes you feel like a loser no matter what. With the complicated formula to determine who is "better," I settled with Infinite here over GOT7. Their rosters are actually pretty similar with both housing some unsung heroes in the vocals department. Choreography is their strength while rapping their weakness. But Infinite not only has seniority, but a better resume overall. "Bad" and "Back" are a pair of tracks that best anything in GOT7's library.
Labels:
[Bonus],
[Season 9],
Big Bang,
BTS,
EXO,
Group Ranking,
iKON,
INFINITE,
NCT,
Power Ranking,
Seventeen,
SHINee,
Stray Kids,
Super Junior
February 6, 2019
[Bonus] The Late Report: January 2019
January in music is typically an extension of December, so there aren't many activities yet. But some of our favorite singers got 2019 started on the right foot. In this edition of The Late Report we'll visit three of them.
Cosmic Girls - La La Love
Cosmic Girls have been lost in the shuffle as far as the rising stars go, but they are embarking with "La La Love" on a journey of promise. This song is a continuation of their trademark sound - though admittedly with way more English and quips which make the overall audio worse. They also committed the sin where someone other than their only talented rapper had rap lines. But for this group I am willing to forgive because otherwise, there'd be a handful of girls with zero parts. "La La Love" isn't their best work, but it's not their worst either.
iKON - I'm OK
You know me, I keep it real. Props where props are due: iKON has been killing it lately. Every title song from 2018 was fantastic and "I'm OK" is a blend of some of the previous year's magic. This track has the melancholy despair of songs like "Goodbye Road" and Big Bang's "Loser" while maintaining a strong instrumental that is common to YG music. I don't pay as much attention to the chains of successful consecutive releases for boy groups, but iKON is definitely on their A-game right now and look to continue doing so in 2019.
Chungha - Gotta Go
Awkward title aside (there goes the English vs. Korean debate again), this is such a gorgeous song. Chungha's voice is so pleasant when she's in her lower range (and when not straining but hey that's pretty much anyone), it's why I prefer songs like this and "Roller Coaster" from her. That sequence of instrumental notes during the chorus is so damn hypnotizing, doubly so when combined with Chungha's elegant voice. And speaking of, that high note during the bridge? Perfection. In the post-Produce world, Chungha is clearly the leader of that pack.
January 8, 2019
[Bonus] 2018 Kpop Awards
Another year, another edition of the prestigious Kpop Awards. There's a slate of nine exciting awards that will be handed out to this year's very best. Who will take home the wonderful prizes? Who will have to wait until next time? Let's find out with the 2018 Kpop Awards.
Best Girl Group: Mamamoo
After the battles between Red Velvet and Twice (sorry Black Pink), Mamamoo come out on top of the girl group ladder. To call 2018 "the year of Mamamoo" is an understatement. Whatever you wanted from them, you got. Group comeback? How about the diverse tastes of "Starry Knight," "Egotistic," and "Wind Flower." Solo efforts? Solar continued to release soft ballads while Moonbyul and Wheein had strong debuts with "Selfish" and "Easy." Even though I predict they'll slow down a bit in 2019, their incredible 2018 campaign lands them as the best girl group of the year.
Best Boy Group: BTS
Goodness, BTS have won this award for four consecutive years. From this series' inception in 2015, no other boy group has been as dominant and as consistent as BTS. This was another year full of production from the squad. The R&B-infused "Fake Love" started their year while "Idol" was full of psychedelic elements in both song and video. So trippy in fact that there was a version with Nicki Minaj guesting. Individual stages were also plentiful, just check out the end of the year performances for proof. Huh, they're finishing up another album? Are we sure these dudes are human?January 4, 2019
[Misc] Thought Corner: Kpop Hopes In 2019
December 24, 2018
[Bonus] Best Of 2018
Hey I had to work on Christmas Eve haha! Who needs an introduction? These are my picks for the top songs in 2018. Let's fucking get it.
#10. Pristin V - Get It
Apparently people slept on "Get It" but it's the best ever released by Pristin (even though this is a subunit). It's kinda sad, but this is what optimal Pristin looks like. The song matches the instrumental in the hard-hitting nature, while everyone serves up that femme fatale look. From Eunwoo's vocals to Rena's rapping, each member puts in a solid performance for a well-rounded track. Without any aegyo bullshit or unnecessary moments, it's easy to see why "Get It" earned a spot on this list. Hopefully the rest of Pristin can get on this level for the future.
#9. Stray Kids - I Am You
Stray Kids are the new kids on the block, and they've amassed quite the early portfolio. "I Am You" is a refreshing take on the typical energetic dance track mixed with some powerful rapping. Like SM, JYP finally has some solid rappers with this generation of groups. As far as first impressions go, they remind me of GOT7 if GOT7 had actual rappers. Changbin, Han, and Felix make the highlight reel (though the latter is mostly on voice alone) and the singers aren't bad either. I imagine they will pan out nicely thanks to their rapping and composition abilities.
Labels:
(G)I-DLE,
[Bonus],
[Season 9],
20XX,
Best Of,
DAY6,
Dreamcatcher,
iKON,
IU,
K/DA,
Mamamoo,
Pristin,
Red Velvet,
Seventeen,
Stray Kids
August 2, 2018
[Review] iKON - Killing Me (Blitz)
"Love Scenario" did awesome on the charts for iKON. Let's see if the subsequent follow-up "Killing Me" will do the same. With a title like that you figured it would be a little darker and that's reflected in the song and video. It's harder-hitting, and the instrumental chops away the background almost eerily. Bobby and B.I do a great job setting up the track and their presence in the rest of "Killing Me" is substantial without being overpowering (something they previously struggled with). The supporting cast pull their weight with vocals - Jinhwan and Donghyuk. Oh yeah I can't buy the whole stage name thing. The names they debuted with are the names I use. I'm not a fan of the instrumentals during the dance breaks. There's too much going on and it sounds like a hot mess. Actually, if the distorted vocals were removed I think that would fix the problem. Too bad we'll never know. Besides that, the only other major complaint I have is that Junhoe's magical voice gets clouded here. Doesn't sound as distinct as he usually does in iKON's music. Like in "Love Scenario" they bring the whole group for the final chorus. In both cases, it works really well. Gives the song an exciting closure without changing much, and makes for a good party banger. "Killing Me" is a strong release of a darker kind and it's about time they actually started having some good music as part of the YG crew.

Word Count: 247
July 3, 2018
[Bonus] Best Of 2018...So Far
Nothing wrong with a little June speculation. Here are my picks for the best songs released so far in 2018. Obviously I'll have missed some artists (especially the more recent ones) but we're in the middle of the year so we can see who is winning so far. It'll be interesting to see how the selections here last when December rolls around and everything gets reevaluated with new songs in the second half of the year. They will be grouped loosely, and don't really serve a purpose since I believe trying to rank them right now would be silly.
Block B - Don't Leave
Block B have yet to break into a Best Of 20XX post, but here's their unofficial debut. "Don't Leave" shows off the melancholy side of Block B that they've perfected nearly as well as their hyperactive dance numbers. Block B were kind of one of the early groups to have two distinct sides to their title track game. Zico and P.O deliver flawless moments and both share the high point(s) of the song.
iKON - Love Scenario
Like Block B, iKON have been less of a main act and more of a disappearing one. They're more Winner and less Big Bang, if we're to use labelmate descriptions. But "Love Scenario" is their best song to date and their crazy chart successes mirror that. It's catchy, enjoyable, and has a good hook. Previous iKON releases have felt like a reach in some way or another. Sometimes the song was mediocre and other times the song had cringe moments. "Love Scenario" covers those weaknesses and has more of Junhoe's special voice.
Heize - Jenga
After "Don't Know You" last year, Heize drops another treat in "Jenga." This time she teams up with Gaeko and gives us another smooth tour of the Heize mansion. Her voice prettily glides through the track while Gaeko's rap gives us a nice boost of energy. I'll keep it short here since I previously reviewed it. That instrumental break is amazing and one of the best of all time. Between the bridge here and in Younha's "Hero," I can't quite think of other similar greats.
Labels:
[Bonus],
[Season 8],
20XX,
Best Of,
Block B,
Dreamcatcher,
gugudan,
Heize,
iKON,
Mamamoo,
Pristin,
Red Velvet,
Seventeen,
Wheein
November 29, 2016
[Blog] The Collapse Of YG Entertainment
It figures that after Thanksgiving, we have to get snapped back into reality. YG Entertainment would suffer damage to two groups: Taehyun would be leaving Winner, while 2NE1 would officially disband. The surprise factor of either news is debatable, but one thing is for sure: YG is hurting right now. They no longer have their flagship girl group, and (according to fans) an integral part of a boy group that had potential.
September 26, 2015
[Review] iKON - My Type
Let's start with the good: "My Type" has smooth written all over it. The song isn't too slow or too fast. It hits the elusive sweet spot and you can hear the hip-hop (or is that R&B?) resonating in the background even if the main vocals are slower. The iKON voices aren't too bad, and I do appreciate the fact that they cure rapper syndrome right away by giving Bobby and B.I the chorus. They are a considerably large group, so leaving out the rappers could've happened, but thankfully it didn't. Not sure who the main vocalist of this group is, but Junhoe should comprise that role. He has a voice full of depth and it's not as high-pitched as the others. Out of both the trainee groups, his voice is the most interesting and has the most potential.
Perhaps the influence of his non-iKON appearances have overwhelmed me, but Bobby's rap was pretty forgettable. Now obviously this song can't be put in the same realm as his Show Me The Money performances or "Born Hater" but I definitely was expecting more from him. Mino showed that he could still have solid raps after an official debut so a shame Bobby couldn't do the same. B.I on the other hand was a pretty big miss. His voice reminds of G-Dragon but he's (a) got a higher voice and (b) simply not as good as his sunbae / mentor. Oh, and that part at 3:00. Never again. Never. Again.
We're treated to a pretty classic MV. Yet another group of boys find interest with one girl. When will the idols of Kpop ever learn? Probably never. Actually, wait a minute. Didn't one of Big Bang's latest videos gave everyone their own girl? I guess it'd be tough giving all 7 members (except it wouldn't be). Almost the entirety of the video shows the group hanging about and doing seemingly arbitrary dance moves out on a basketball court / athletic area (I did see traces of a track field or something similar). I laugh every time they race by on their scooters. It was silly when Sistar did it and it's still silly now heh. Other than that, there weren't too many specific / individual interesting things that stood out to me for the video. Stereotypical videos have been getting painful for a long time now but I'll manage. It's the audio that intrigues me the most anyway.
I would still call this song the little brother of "Empty" by Winner though. I just can't shake the feeling of familiarity from my head no matter how many times I listen to either. Not to say this is a bad resemblance, as "Empty" was an excellent track. Decent vocals and a decent set of raps equal a decent song, naturally. In the grand scheme of things, it's a pretty average debut that will be bolstered heavily by the YG name.
[ Overall: 80 / 100 ]
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